Category Archives: JESSE'S GIGS

The Skunks Are Number One (in Davis, CA)

Just rec’d this message. — The Skunks are #1 in Davis, CA. Hello, Austin?

The message was from Harry at Last Laugh records, who reissued “Earthquake Shake” / “Can’t Get Loose” a few weeks ago. The single is available at Waterloo Records, unless they’ve sold out, and by now should be available from major distributors.

See a recent clip of band doing “Earthquake Live” "Earthquake Shake".

The exact message from KDVS-FM, with the Top 30 list, is below. But if you’re in town for SXSW, you can see 2/3 of the Skunks — Jesse Sublett & Jon Dee Graham, at Uncle Billy’s on Barton Springs Friday 3/16, 5:30-7:30 PM. That’s right, we’ll be doing two sets, murder ballads, blues, etc., doing our part to keep austin Weird.

We are happy to announce that The Skunks’ “Can’t Get Loose” was among our Top Ten most played records this week at KDVS 90.3 FM in Davis, CA. (#1)

KDVS Top 30 and Top 5 New Adds for 03/05/2012

Tali Link, Jess Abell, Hatem Gallouzi: Music Directors
Brent Batty: Assistant Music Director

KDVS Top 30

1. The Skunks – “Can’t Get Loose” (Last Laugh)
2. Charles Albright/Matt K. Shrugg – “Split Personalities 7″ (Sacramento/Phono Select)
3. U.S. Girls – “The Island Song” (Calico Corp.)
4. The Mentally Ill – “Gacy’s Place 7″ (Last Laugh)
5. King Lollipop – “Woodland Whoopee Songs Of OL’ Callowee!” (1-2-3-4 GO!)
6. Terrible Truths – “s/t” (Small Town City Living)
7. Buzz – “See You Sioux” (Dark Entries)
8. The Pharmacy – “Dig Your Grave EP” (Kind Turkey Records)
9. Unnatural Helpers – “Unnatural Helpers” (1-2-3-4 GO!)
10. Thorbjorn Risager – “Dust & Scratches” (Cope Records)
11. King Dude – “My Beloved Ghost” (Bathetic)
12. Baloji – “Kinshasa Succursale” (Crammed Discs)
13. Actual Water – “She’s A Priest b/w Latoya” (Plastic Idol)
14. Sola Rosa – “Get It Together” (Melting Pot Music)
15. Uzi Rash – “I Saw You 7″” (1-2-3-4 GO!)
16. Bad Drugs – “Raw Powder” (Rotted Tooth)
17. Cheater Slicks – “Guttural: Live 2010″ (Columbus Discount)
18. Twin Steps – “Serial Parade” (Cola Bruin)
19. Sound Became Color – “Sometimes the Sun Shines Through the Rain” (Daly City Records)
20. The Lonesome Savages – “All Outta Love EP” (Kind Turkey Records)
21. Slim Twig – “There’s A Secret To Your Pleasure” (Calico Corp.)
22. Beverly McClellan – “Fear Nothing” (Junk Drawer)
23. The Andy Poxon Band – “Red Roots” (EllerSoul Records)
24. Various Artists – “Friends & Friends Of Friends Vol. 4″ (Tender Loving Empire)
25. Dead Boomers – “The Pig in the Python” (Sabbatical )
26. Lilac – “Lilac” (Omega)
27. Kidda Band – “(Watch Out) Thief” (Last Laugh)
28. Vanna Inget – “Allvar” (1-2-3-4 GO!)
29. “Blue” Gene Tyranny – “Detours” (Unseen Worlds)
30. Pete Swanson – “High Time b/w Trees” (Emerald Cocoon)

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Surreal vs SXSW

Hey, if all you’re interested in is Nazis on the Moon (the dark side, naturally) skip to the end of this post. But I will say that the normally big blue skies over Austin have not been tinged iron gray this week in honor of the Nazis-on-the-moon film Iron Sky.

But stick with me a minute. My wife just said, “Remember the first New Music Seminar in NYC? It was all in one hotel… a bunch of spiky haired rockers and rock critics, the usual miscreants and cretins… then Blondie walks in?” I remember giving Lenny Kaye a copy of my just published novel, Rock Critic Murders… We went out to dinner in Little Italy with Joel Webber and a few Austinites. Weird. Oh yeah, they had just invented the wheel, too, or was it the 8-track tape?

Believe me, I don’t live in the past, even though most of my favorite music is by long-dead black musicians. Anyway, it’s the usual cluster-up, plus rain and cold. Sunny & laid-back, Austin is not, not right now.

Here’s an update on my own activities over the next couple of weeks:
I’m in the AUSTIN CHRONICLE pimping my enhanced-for-the-iPad ROCK CRITIC MURDERS: EX PUNK AUTHOR DIY OR DIE FOREVER. You can go directly to the iTunes link here.

Sat. 3/10/12 11:00 AM, SXSW Interactive: ePub Meet Up with Jesse Sublett, Rio Grande Room, Hyatt. Bring your business card & ePub / iBook / Kindle war stories, bring me a double-espresso while you’re at it.

Sat. 3/10/12, 7:09 PM: At the South Austin Center for Popular Culture, a big art show featuring, guess what, Austin musicians as artists. RSVP on Facebook here, or go directly to the South Austin Museum of Popular Culture here. The show will feature art by Greg Anderson, Bill & Ruth Carter, Joe Ely, Butch Hancock, Cleve Hattersley, Lissa Hattersley, Guy Juke, Elizabeth Lee, Billy Perkins, Howard Rains, Charlie Terrell and my terrible self, Jesse Sublett and the show will run through April 14, 2012. There’s no parking at the Center, so park on Collier and walk over. Later, music by Denny Freeman. Hot dog.

Fri. 3/16/12 Uncle Billy’s on Barton Spgs., 5:30-7:30 Jesse Sublett & Jon Dee Graham, The Murder Ballad Show, back by intrinsic demand.

Sun. 3/17/12 1:40 PM, Uncle Billy’s on the Lake, A Benefit for George Kinney. It’s an afternoon show, bunch of cool bands, see the poster.

APRIL FOOL’S DAY (for you Right Wing Home Schoolers, that’s the First Day of April): The April Fool’s Rag Blog Benefit on Sunday, April 1, 6-9 p.m., at Jovita’s. The bill is Shiva’s Head Band, Greezy Wheels, and the one and only Jesse Sublett. I am so happy to throw my support to my old school left winger pals, Thorne Dreyer, et al. We will get this sixties revolution back on track before the world ends and Newt Gingrich and Dick Cheney will be working as greeters at Wal-Mart–IF they’re that lucky. Trust me.

Now, I said this as a joke a week or so ago on Twitter, but little did I know: Just in time for Newt’s moon base props, IRON SKY, is screening twice during SXSW. (the long delayed, legendary, super weird film about how the Nazis escaped from behind the lines late in World War II and set up a secret base on the moon). See the screening times here. Both times are midnight, appropriately enough, Saturday 3/10 and Weds 3/14. I’ve enjoyed watching clips from this sure to be classic on youtube for years now.

The timing couldn’t be better. Think about it. We’ve got millions of right wing loonies who think evolution is a hoax, Obama was born in Kenya, the New Deal and social security are communistic, and stuff like that. A film like Iron Sky will probably seem like a documentary to them. It’s bound to be a huge hit.

Seriously, if Newt Gingrich can have a second life as a politician, why can’t there be Nazis on the moon? Why couldn’t Adolph Hitler be alive and living in South America, or South Beach, for that matter?

Iron Sky director Timo Vuorensola will be doing a panel at SXSW on Sat. 3/10/12 at 5 PM. Details here.

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Filed under BLUES, MURDER BALLADS & OTHER COOL RACKET, JESSE'S GIGS, MY ART BLOG

BASSMAN @ SXSW

NOTE: DATE CHANGE ON SXSW MEET UP. It is Sat. March 10, 11 AM, Hyatt.
Another change: SXSW show at Billy’s (see below) moved to 5:30-7:30.
And…. stay tuned for announcement of a MUSICIANS AS VISUAL ARTISTS show at the South Austin Museum of Popular Culture. Yes, I’m in it, and so are Joe Ely, Butch Hancock, Guy Juke and a total of 10 musician / artists.

A quick note here about SXSW and other related things. For your SXSW Interactive schedule, I’ll be hosting an ePublishing Meet Up at 11 AM Saturday March 10 at the Hyatt campus. They should have an updated schedule here with the location (and my name!) any minute now. I’ll be talking about my new enhanced iBook for the iPad, Rock Critic Murders: 25th Anniversary Edition for the iPad, which I developed using the new iBooks Author 2 app, so this eBook has lots of rocking music, video, photos and art. Many of my favorite things about Austin are visited in video travelogues. This book came out originally in 1989, and I have updated and super-turbo-charged it with all this new media. Check it out on iTunes right now.

Also I’ll be a guest on Texas Radio Live Weds. March 7, 6-8 PM, broadcasting live from Guero’s on so-hip SoCo, with hosts Larry Munroe and David Arnsberger. Besides the usual interview thing, I’ll play a few songs for them, and we’ll be joined by the lovely fiddler Ruby Jane. If you can’t come, you can listen to the live broadcast at www.kdrplive.org.

More SXSW news: I’ll be playing with my fabulous great pal, Jon Dee Graham, at Uncle Billy’s on Barton Springs Rd. on Fri. March 16 5:30-7:30 PM. I don’t think I need to assure you that this will be a rocking show. And I’ll also be playing at Uncle Billy’s on the Lake on Sat. March 17, in a benefit for George Kinney, featuring a whole bunch of veteran Austin psych bands.

AND, NO JOKE, ON APRIL FOOL’S DAY (for you Right Wing Home Schoolers, that’s the First Day of April): The April Fool’s Rag Blog Benefit on Sunday, April 1, 6-9 p.m., at Jovita’s. The bill is Shiva’s Head Band, Greezy Wheels, and the one and only Jesse Sublett. I am so happy to throw my support to my old school left winger pals, Thorne Dreyer, et al. I’m a child of the Sixties, a citizen of the Future.

And in case you missed the big blurb about Rock Critic Murders: 25th Anniversary Edition for the iPad, here it is again.

Rock Critic Murders, debut novel of the first crime fiction series set in the Austin music scene, starring Martin Fender, the blues bass player who moonlights as a skip tracer and problem solver, has been released as an enhanced iBook for the Apple iPad. Author Jesse Sublett is one of the first adopters of the new iBooks Author app, released January 19, 2012, to publish his work to iTunes. Rock Critic Murders: 25th Anniversary Edition for the iPad, has not only the first-rate, quirky, adrenaline fueled music-and-mayhem plot of the original (inspired by Sublett’s own experiences as a working musician) but features music from his legendary band, The Skunks, as well as his fictional one, Cloud 19, plus solo material from his current incarnation as a blues and murder ballad troubadour. The book is also enriched with tons of photos, his own original surrealistic art, Austin travelogues on video (Sublett shot video postcards from all his favorite things in Austin, such as the moon light towers, Continental Club and the place where the wife of sniper in the Tower Charles Whitman worked), and video clips from many of Sublett’s contemporaries, such as Jon Dee Graham, Bill Blackmon, Louis Black, Robert Draper, Joe Nick Patoski and Ed Ward — the last four being among the rock critics who are caricaturized in the book.
Find it, check out the sample preview, buy it, rock out to it. It’s here, it’s now, and if you’re cool, you’ll dig the hell out of it.

Go directly to iTunes here:

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Mean Streets & New Devices

Exciting week here in our little corner of South Austin. On Tuesday, after a few snags, Rock Critic Murders: 25th Anniversary Edition for the iPad, the first Martin Fender novel, was successfully uploaded to the Apple iTunes store. Click here to go directly to it. See the previous post, remember, ePub iPad eCrimes iPulp uDig?
So, hope you check it out, rock to it, and leave a rave review. I’m working on a story for the Austin Chronicle about it, and that should be out in early March in time for SXSW Interactive.

Also you can view one of the many video clips in the new Rock Critic Murders iBook here: . The clip is called “Louis Black on ambivalence,” because Louis was one of many Austin rock critics who hated the Skunks back in the day. On the other hand, he liked my writing and encouraged me. So I repaid the favor by having him killed in the novel. The same is true of Ed Ward, my other rock critic mentor. He helped me out, I had him die a grisly death. Fictonally, of course, because I love both these guys.

See the clip from Ed Ward here. Ed chose to phone his in. He calls Martin Fender “a loudmouth.” Hmmm. I never realized he felt that way.

And we got gigs!! Live gigs, that is. I’ll be playing with the hugely talented and delightfully weird Steve Bernal at the Continental Club Gallery Saturday night, Feb. 11, starting at 8:30 SHARP. If you’ve never seen Steve’s eclectic cello lounge act, you are in for a real treat. I selected a handful of my best murder ballads and blues to play with him, and it sounds so good, it will probably warp the fabric of the universe. Also, I will be reprising my new short story, “Last Detective at the End of the World,” with Steve providing suitably noir-esqe soundtrack, and most likely, another, brand new piece, similar in dark tone and mean streets content.

Then next FRIDAY, Feb. 17, I’ll be playing Romeo’s on Barton Springs, 10:30-12:30. Now listen, man, I don’t play many restaurants, but this one has a cool set-up for bands, with a stage, lights and back line. It’s a good listening room. So I hope some of you will take a chance on it. You never know, it might augment your personality in a really cool way. People will say, Hey, that dude has changed. He used to be a geek. Now he’s hip. He’s got a groove! Or she. Same thing. Sexier, more confident, mysterious, all that. Guys will come up to you and say, Hey, don’t I know you from the movies?

Seriously, it could happen.

Cheers from the Great Blue Heron of South Austin.

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Filed under Books & other writing by Jesse Sublett, JESSE'S GIGS, NOIR & TRUE CRIME

BUSKING & THE BOSS

The light was so good at 4 PM I just had to shoot myself.

The Boss.

Hey, I’ll be busking at Hoover’s Saturday, January 28. Skip down to BUSKING below if you are interested in that (or see the Facebook event). I’ve never done it before. Busking, that is.

Seen / heard the new Bruce Springsteen tune, “We Take Care of Our Own”? Damn good song, socially and musically. See the youtube clip here.

"We Take Care of Our Own"

The first thing that comes to mind is this: How long before some right wing Republican nincompoop running for president will adopt it as his theme song, a la “Born in the USA” or “Born to Run,” moronically oblivious, as usual, to the dark sarcasm in the lyrics and the fact that their social and political views are about 180 degrees opposite of the singer’s? Well, just wait, it’ll happen.

I’m still working on the publishing thing. It’s exciting. I’ve got some really crazy stuff in the works. I’d tell you about it but it would take too long.

ALSO, I’ll be reading at the Continental Club Gallery Feb. 4, a Saturday, between 7:30 and 10, reading a brand new noir short story called “The Last Detective,” about the last detective at the end of the world. Other friends will be reading / performing that night too. It’s part of a cool series.

I used to know Jerry Hall. Lois and I went on a double date with her and Bryan (Ferry) once and we got kicked out of a movie theater because she challenged the maitre de to a leg wrestling contest. (He couldn't resist, of course, I mean, would you?)

After the debate, Newt wowed everyone with his impersonation of a cow's vagina.


AND I’ll be playing with my pal Steve Bernal & his Zodiac machine at the Continental Club Gallery the following Saturday, that’s FEB. 11th, 8:00–10 PM. Steve is a cool guy who plays bass and cello, very creative, weird stuff. We’ll collaborate on some cool stuff, including my version of “Minnie the Moocher” and some Lorca poems I have adapted. The World Debut of “Unfaithful Wife / La Casada Infiel” ! Be there. It’ll be way cool. Join me on Tumblr and Twitter, too. Hey if you’re online I’m kind of unavoidable. If this bugs you, sorry!

Hoover's Soular Food Trailer

BUSKING!
Hoover’s Soular Food Trailer, at 1112 East 12th Street. January 28, 7 – 10 PM. Performers and audiences of all ages are invited to the first of a series of monthly busking nights, designed to introduce Austin to the enormous numbers of variety arts talent in the area. Performers will be gathered throughout the site, performing under the gorgeous lighted oaks.

This month’s mainstage performances include musician Jesse Sublett (7:00) and comedic magician Peter the Adequate (8:00). And, Drishri Dancers, Tulstin Troubadors, Peter the Adequate, Idigo Real, + students from Fantastic Magic Camp, acrobats, magicians, jugglers, stilt walkers, musicians, comedians, belly dancers, fire eaters + spinners, living statues, + unicyclists!!!!!!!!!!!!!! So far, Ralph the Diving Pig has not confirmed, nor has Marvin the Singing Monkey, but there’s always hope.

Acrobats, magicians, jugglers, stilt walkers, musicians, comedians, belly dancers, fire eaters and spinners, living statues, and unicyclists are all fair game. Join us for family friendly revelry in one of Austin’s newest, most delectable food trailer parks.

Audiences are encouraged to bring lots of ones to reward the talent of the performers.

Interested in performing? Contact Kate at kate@lafeniceaustin.org for details.

Dick Cheney recently went in for a tune-up.

CNN cameras caught this reaction of a staunch Newt Gingrich supporter in the South Carolina debate the other night.

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Garcia Lorca’s “Unfaithful Wife,” plus GarageBand

I’ve been working on new song, by me and Lorca,

I’m posting another song here, to tide you over. Click the title to play NATURE (WILL FIND YOU OUT).

UPDATE: The song was “Unfaithful Wife (La Casada Infiel)” and I sang it in alternating Spanish/English. I posted a preview, but since I don’t have permission from the Lorca estate yet, I’ve taken it down and will wait until I have permission (fingers crossed here) and a music player (still working on that) to put it up again. Next, I started working on some other works by Garcia Lorca, starting with THE BIG ONE: “Sonambulist Ballad (Romance Sonambula).” This activity has really energized me.

So, here’s what happened. Bryan Ferry came to me in a dream. Knocked on the door, looking impeccable as usual, smoking a cigarette, which I insisted he extinguish. He said, “So I hear you’ve been obsessed with Lorca again. I’m here to help.” I said, “Yes, of course, I’ve been a Lorca fan ever since my freshman English teacher in high school had me read ‘Somnambulist Ballad’ in UIL competition. I suspect it was planting some kind of program in my brain that would blossom later, after I was sophisticated enough to understand it.” Bryan said, “I heard that, bro. But you’re recording his poem ‘Unfaithful Wife,’ and as you know, that’s where I live, dude. Unrequited love and all that.” Yes, Bryan, you know I’ve always been a huge, huge fan, and you probably never heard of it, but in my extreme Bryan Ferry period, I had a band called Secret Six. But never mind that. Yes, I am recording that poem, in a Spanglish version. But sorry to tell you you may have wasted a trip, unless you dropped by for some Scotch Whisky.” The disappointed look on Bryan’s face was heartbreaking, like a sink hole in Avalon. “Listen, Bryan,” I said, “I think I’ve got it covered. Just let me know if I need to crank the bass down a notch. I have a tendency to overdo that.” He said, “Sure, bro. Comprendo.”

Here’s my version of the lyrics. I cut a few lines and a couple of them are not strict translations of the original. All rights to the work of Federico Garcia Lorca, the greatest poet of the 20th century, are administered by Fundación Federico García Lorca.

La casada infiel (The Unfaithful Wife)

By  Federico Garcia Lorca

Y que yo me la llevé al río

creyendo que era mozuela,

pero tenía marido.

So I took her to the river

thinking she was virgin,

but it seems she had a husband.

Fué la noche de Santiago

& it was just one of those things

they turn down the lanterns

& the crickets fire up their orchestras.

En las últimas esquinas

I touched her sleeping breasts,

They awoke for me de pronto

Like a bouquet of roses

The starch in her petticoat

sang a song in my ears

como una pieza de seda

rasgada por diez cuchillos.

Pasadas las zarzamoras,

los juncos y los espinos,

under her mane of hair

I made a bed for us in the sand

Yo me quité la corbata.

She took off her skirt.

I, my belt with the revolver.

She removed four petticoats.

Ni nardo ni cah-rah--lahs

tienen el cutis tan fino,

not even the moon above us

shines any brighter

her thighs tried to escape me

como peces sorprendidos,

one was made of fire

one was made of ice

Aquella noche corrí

el mejor de los caminos,

mounted on a pearl white pony

without bridle, without stirrups.

No quiero decir, por hombre,

The things that she said to me

The light of the morning after

me hace ser muy comedido.

with dirty kisses and sand

I took her from the river

Con el aire se batían

las espadas de los lirios.

Perhaps you disapprove of me

But this is the way of the gypsy.

I bought her a sewing basket

made of straw-colored satin,

And I could never love her

Because she had a husband

But she told me she was a virgin

When I took her to the river.

y no quise enamorarme

porque teniendo marido

me dijo que era mozuela

cuando la llevaba del río.

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JIMMY PETIT

Heads up, music lovers, the big Pickin’ For Petit show is Sunday night, early, starting at 3 PM, tickets only $20 for a really big shoe, as Ed Sullivan used to say. See the “Bottom Line” update for other details. Today’s update includes the silent auction list. As far as I know, the items I have donated are the only ones where you get a naked mermaid.

‘Pickin’ for Pettit’ ~ Silent Auction Items

4 4 4 4

1. Shady Grove Restaurant ~ Gift Certificate / Dinner for (2) at 1624 Barton Springs Rd. (512) 474-9991 / Value: $40

2. ACL / Austin City Limits ~ ROBERT EARL KEEN Tickets for (2) in concert at the Moody Theatre, Sat. Dec. 17th, 2011, 8pm, 310 W. 2nd St., standing-floor / Value: $80
3. The Continental Club ~ Gift Certificate entitles up to (4) people to Free Admission ~ ANY night, now through Nov. 1, 2012. INCLUDES: $50.00 BAR TAB CREDIT! 1315 S. Congress Ave. / Value $120
4. Amaz Hair Salon ~ Jam-packed Gift Basket!! Loaded with the very best hair products available. Kerastase products and more! / Value: $300. PLUS (2) individual Gift Certificates, each good for a Kerastase Treatment, Shampoo and Blow Dry! (Get gorgeous for the Holidays!) / 1509 Old West 38th St., Ste. 1 / Value per cert. $100
5. JIMMY PETTIT’S own BASS GUITAR!! ~ Late 80’s Yamaha Motion B2 Bass. This is the same bass used on the recordings for ‘Live at Liberty Lunch’ and many many more Joe Ely Band shows! / Value: $500
6. JOHN WATER’S CHRISTMAS SHOW! ~ Gift Certificate for (2) at the Paramount Theatre, Fri. Dec. 2, 2011, 8pm / Value: $200
7. Evangeline’s Café ~ Gift Certificate for (2), Includes (2) Evangeline’s Café T-Shirts / 8106 Brodie Ln. / Value $30
8. PAINTING by KERRY AWN of The URANIAM SAVAGES ~ Original work on XXXX canvas, XXXX / Value $300
9. SARA HICKMAN ~ Gift Set includes (1) dvd: ‘An Evening with Sara Hickman’ live recording at Poor David’s Pub in Dallas, (3) cd’s: ‘Spiritual Appliances, ‘Absence of Blame’, and 2-cd set of ‘Motherlode’. Also Included ~ an autographed portrait print ~ thanking you for supporting Jimmy’s benefit. / Value $80
10. PAINTINGS by JESSE SUBLETT ~ ‘How Do We Know What We Know’, 11×16 brushed ink on canvas paper. Original work. Value $400. / ALSO 2nd piece titled ‘Nina Salmone Is Feeling Good’, 3.5 x 5.5 art pen on Moleskin paper. Value $150 / and a Signed MEMOIR BOOK by Jesse, titled ‘Never the Same Again: A Rock N Roll Gothic’ / Value: $40
11. RANCHO AZUL & BIRD HUNTING LODGE ~ Gift Certificate include (2) Nights *with meals for (2) =or= for up to (4) people. (Note: Separate bids for each variation on number of guests). Located in Uvalde, Tx. / (830) 317-3127. Value: (2) People – $350; Value: (up to 4 people) – $700
12. FENDER STRATOCASTER ~NEW~ Signed by JEFF BECK!! ~ YES that’s right, brand new, and personally signed by the one and only Jeff Beck. / Value $500
13. Hotel San José ~ THE HOT SPOT to stay in Austin! Gift Certificate for (1) person, (1) night. Excludes black-out dates, or a Fri. or Sat. Grand Standard room. Located at 1316 S. Congress Ave., (512) 444-7322
14. Davis McLarty Agency ~ (10) cd mixed artists CD collection. / Value $150
15. GUY CLARK 70th BIRTHDAY TRIBUTE SHOW ~ Gift Certificate for (2). Located at the Long Center, Wed. Nov. 2nd, 7pm. / Featuring Guy Clark, Joe Ely, Jerry Jeff Walker, Shawn Colvin, Rosie Flores, Rodney Crowell, Ray Wylie Hubbard, Terry Allen, Kevin Welch and more! / Value $100
16. ARTWORK by Ron Rogers ~ Original work by longtime friend of Jimmy’s. http://ronrogersart.com/ Painting, XXXX
17. SHARON ELY’S ~ Gift Basket of her own ‘HOLY POSOLE’ ~ A Mexican soup, Texas style!
18. TANGO LESSONS ~ the TRUE Argentine Tango taught by Laura Pellegrino & Tomas Corbalan ~

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THE BOTTOM LINE

A couple of things to report:

SUNDAY, SEPT. 23, Threadgill’s South.
I’ll be the MC for PICKIN’ FOR PETIT, a benefit for Jimmy Petit, veteran Austin bass player. More on that later. See the poster, attend, send money, beam yourself in. I will also play a couple of songs. One of my paintings (see above) will be in the silent auction, along with lots of other great stuff.

No other gigs booked right now. Been busy writing. Stay tuned, I’ll be around.

Who is Jimmy Petit?
Back in 1978, when the Skunks started rocking Raul’s Club on the Drag, you know, when the whole punk/new wave scene started, Jimmy was there, too, in a great band called The Bodysnatchers. As long as I’ve known Jimmy, he’s been in a happening band. Lately he plays with Joe Ely, Flatlanders & the Booze Weasels. See what I mean? He’s always been a stand up guy and he’s one of those solid, quiet, modest bass players who holds up the spine of the song, gives it the groove, etc., and epitomizes that whole “modest, unsung musical hero” archetype. Then there’s bass players like myself, the hams, the spotlight addicts, poets, etc.

The Skunks & Bodysnatchers used to double bill at Raul’s on cheap beer night. Dollar cover. I’ll post some of those flyers here later.

Here’s the official press release:

FOR IMMEDIATE RELEASE
October 4, 2011

“PICKIN’ FOR PETTIT”: JOE ELY BAND BASSIST JIMMY PETTIT TO BE CELEBRATED AT A SPECIAL FUNDRAISER OCT. 23 AT THREADGILL’S WORLD HEADQUARTERS; FLATLANDERS, VAN WILKS, MORE TO PERFORM

AUSTIN—Jimmy Pettit, a mainstay of what many fans argue is the greatest Joe Ely Band ever, will be honored at a show at Threadgill’s World Headquarters (301 W. Riverside Dr.,) on Sunday, Oct. 23.
The event is a fundraiser for Pettit, who has been receiving treatment for prostate cancer. The show is also an opportunity to promote awareness of the disease.
The show will be emceed by Skunks co-founder Jesse Sublett, who is also a cancer survivor.
Doors open at 3 p.m. and music commences at 4 p.m. with performances by (in order of appearance): Van Wilks, the Booze Weasels, The Flatlanders and Two Hoots & A Holler.
A silent auction is also part of the festivities, with items offered for sale including Pettit’s own rare Yamaha Motion bass guitar, which Pettit played on the Ely albums Live At Liberty Lunch and Chicago Live 1987, as well as countless other live performances worldwide.
Tickets for “Pickin’ For Pettit” are $20 in advance, available at Threadgill’s or Front Gate Tickets; Tickets will also be available at the door for $25 on the day of the show.
Ely, an accomplished artist among his other talents, will be designing a special poster for the event. Signed copies of the poster will be on sale at the show.
Ely cited Pettit’s longstanding importance to his sound onstage and on record. “The first time we rehearsed, he had that thing I was always looking for, which was the mixture of country stuff with a rock edge to it,” he said. “The things that he played were lean and tough, but melodic, too. And since it was just a four-piece band, he played an important part of defining the song.
“When we all locked together and played, there was magic that happened. And that’s still true today with my band and the Flatlanders—Jimmy still plays with both groups.”
Pettit, a Del Rio native, gigged around with several punk groups, including the Bodysnatchers and the Rockin’ Devils, in Austin before hooking up with country-rocker Joe Ely in 1986.
Ely’s fans divide their affections between the many iterations of musicians Ely has assembled over his decades-long career. But all agree that the ensemble that Ely assembled in the late-1980s that included Pettit on bass, David Grissom on guitar and Davis McLarty on drums (and, occasionally, the Rolling Stones’ Bobby Keys on saxophone) was one of the hardest-rocking groups in Texas music history. Their legacy lives on in classic Ely recordings such as Live At Liberty Lunch, Love and Danger, and Live Chicago 1987.
Pettit went on to play with the Booze Weasels (which also includes McLarty and Grissom). He is currently touring with the Flatlanders, the West Texas songwriting triumvirate of Ely, Butch Hancock and Jimmie Dale Gilmore, as well as the current edition of the Joe Ely Band, which just released the critically-acclaimed album, Satisfied At Last.

FOR MORE INFORMATION:

David Cotton—512-835-5997,

Davis McLarty/The Davis McLarty Agency—512-444-8750,

-30-

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Honky Tonk Happy Hour Notes

I’ve never been to ACL but this year I’ll be closer than usual, with the gig featured in this poster. I’m not much for big outdoor shows, haven’t been since I was a long-haired twentysomething. I like clubs. Anyway, this is my little gig, drop in if you are in the hood or in the mood.

A couple of other notes about writing:
We Were Not Orphans: Stories from the Waco State Home has been selected for this year’s Texas Book Festival. I worked on the book alongside author Sherry Matthews, conducting dozens of interviews which I then edited down into tight oral history vignettes that are sure to make the reader laugh, cry and pull their hair out. It’s a really good book, and I’m proud to have my credit as an editor on it. Look for events at the TBF site or on the We Were Not Orphans site.

Another music note: Last Laugh records will be reissuing The Skunks’ first 45, “Earthquake Shake” which originally came out in 1979, on vinyl, limited. Later they will re-release “Cheap Girl.” The sister label of Last Laugh does current releases, including Liquor Store’s debut LP, “Yeah Buddy.” For obvious reasons I’ve chosen to post the image of that record rather than my own band’s. :)

Texas Confidential, by Michael Varhola is a lurid encylopedia of all things bad, tacky, cruel, seedy and sleazy in the Lone Star State, which makes it essential reading for everyone. I wrote the foreward. The book has a dandy online entity, Texas Confidential Online, which you should check out.

In honor of this worst summer of all time, I am posting my foreward for the book here, because it does inevitably mention the horrible, apocalyptic heat, which has been on mind a lot these last few months.

Every summer when the mercury starts heading toward the100-degree mark, I ask myself, Why do I live in Texas? Walk outside on a typical July or August afternoon and the sun is like a hammer hitting you in the back of the head. Why stay in a place where the heat can kill you if you’re not careful? Not that there aren’t lots of other reasons to not be associated with a state that’s number one in executions and dead last or close enough to it in education, environment and other categories that would seem vital to the quality of life.

As a crime writer, however, Texas is a gift that keeps on giving. It’s not just the garden variety drug crimes, murders, rapes and robberies, either. There’s some special about it, and I confess I can’t really articulate a simple description of the Texas criminal environment, but like pornography, I know it when I see it. Its frontier traditions and its stubborn clinging to the bullshit myths of that period have something to do with it, as do the collision between hard core Christian repression, progressive ideals and greed. One great example of the schizophrenic nature of rabid conservative politicians who was revealed to be criminally corrupt, Senator Joe McCarthy, was not from Texas. However, he was so admired here that a Texas oil man gave McCarthy a brand new Cadillac for being “a great American patriot,” and Governor Allan Shivers, who was in office at the time and approved the gesture, campaigned on a platform that urged the death penalty for membership in the Communist Party.

I was honored and thrilled to be asked to write the forward for this book, even before having a look at the material to be included here. The chapters listed in the table of contents bears a strong resemblance to the labels in my own research files. I was glad, for example, to see a mention of the Overton Gang of Austin. I’ve been working on a book about Timmy Overton and his merry band of fist fighters, pimps and safecrackers for several years now. It’s been difficult but very rewarding to sift though all the stories about the Austin underworld of the 1950s through the 1970s. Part of the problem is that I’ve found enough material for several books.

The Veterans Land Scandal is another topic I’m pleased to see treated in this book. A few years ago I was researching that topic for a possible book project. The real estate scams perpetrated during that episode very often took advantage of African-American war veterans. A Cuero newspaper reporter named Ken Towery won a Pulitzer for his series of newspaper articles which blew the whistle on the scandal. When I interviewed Towery, however, I was repulsed by his own racist and ultra conservative views. At the time I submitted an outline for the book to my agent, it had recently been revealed that President George W. Bush had lied to the public about the reasons that the U.S. invaded Iraq. My agent pointed out that the scandalous behavior of Texas politicians of the present would probably make those of the 1950s seem distant and trivial. It was hard to dispute his point, even though I’m not sure he was right. I still think it’s a fascinating chapter in Texas history.

The chapter here on the band of Indian scalp hunters, the Glanton Gang (which was actually only one of several such groups), helps evoke some of the bad juju that seems to have existed here since at least the years when the Comanche Indians were terrorizing the Plains, raiding and killing and stealing, then trading their booty with other groups, including white reprobates. The Comanche method has accurately been compared to outlaw motorcycle gangs, except that the Hell’s Angles are pussies compared to the Comanche.

The Texas Rangers served as the tip of the spear for the white takeover of Texas territory from Native Americans. Talk about a license to kill, James Bond had nothing on the Texas Rangers. Texas school kids grow up hearing heroic legends about these frontier militia men, as sterling examples of rugged independence, virtue and justice who rescued white captives and protected white settlements by launching both punitive raids and preemptive attacks. Few of us hear about the atrocities committed by the rangers. A memoir by Captain Rufus Perry related his refusal to participate in the gang rape of Indian women and how, on one expedition, a fellow ranger hacked off the leg of a dead Indian to eat later.

Texas has many fine attributes, but the state has a lot to answer for. Lee Harvey Oswald may have assassinated President Kennedy, but (conspiracy theories notwithstanding), the city of Dallas always seemed complicit in the crime. If brain waves could kill, the toxic public sentiment there would’ve killed Kennedy before he stepped on the tarmac at Love Field.

Coincidentally, the night before the assassination, the presidential party spent the night at Hotel Texas in downtown Fort Worth, right on the edge of what was still known as Hell’s Half Acre, due to its reputation for vice. Back in the Roaring Twenties, Jim Thompson, the author of The Killer Inside Me and dozens of other pulp fiction classics, was a teenage bellhop, working nights at the hotel and, buzzing on cocaine and booze, attending high school during the day. Thompson helped procure hookers, booze and dope for guests, and in addition to his tips, collected enough material for a few dozen pulp fiction novels. Later, Thompson worked as a roughneck and gambler in West Texas, places with rich oil reserves below ground and damned souls above.

Don’t get me wrong, I don’t think that crime is funny or that criminals are admirable. Mostly, criminal behavior is an indicator of deep and often irreconcilable contradictions and injustices of modern society. I think crime is fascinating because of what it exposes, and because desperate people do desperate things, whether they are billionaire oil executives or crack dealers on the street. The big difference there is that the billionaire crooks and corporations usually do a lot more damage to society than the small time operators. The latter, however, usually have more personality.
– Jesse Sublett, Summer (!!!) 20111

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THE SKUNKS REUNION SUMMER 2011

[/caption]Thanks, David Fox, for alerting me to these shots you took of The Skunks at the Chronicle Music Anthology release party in March. Just in time to help us spread the word about the Threadgill’s World Headquarters Gig, AUG. 27, Saturday night, the LAST of the 32nd anniversary party for Armadillo World HQ.

Also, more pix in the last post here.

See more gig info for Jesse here, along with video clips of the Skunks and also Jesse playing solo.

The gig starts at 9 PM with Edison Chair, and we play 10:15 to 11:45ish. Tickets are $10 door / $15 advance. Buy in advance here.

Cheers!

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