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BLEU MONDAY

Jesse Sublett, blues singer, crime novelist, noir, hardboiled

Jesse, Secret Six

A quick blog this morning as we clear away the fog. Had a fine time Sunday morning at the Standard brunch at Swift’s Attic. First up as we came in the door, Kelly Truesdale of Standard and Samantha Howe of Blurb. It was nice to attach faces to the names of the cool people we’ve been coordinating with for SXSW and the whole E-Publishing thing. Standard is a very, very cool online magazine of style and art, and Blurb is a publishing/print-on-demand platform and new model publishing concept for writers, photographers, artists and other creative types seeking new ways of getting their work before the public. On hand were print editions of the latest Standard, showcasing the excellent print quality Blurb has to offer, and it wasn’t until we got home that I really, really looked at the magazine and found photo essay profiles of the Standard people we dined with.

[Note: For more info on this, read my post THE 7 STAGES OF E-BOOK GRIEF].

 

Walking into the room, I heard that unmistakeable shimmering tone of a Collings guitar, which was being played by a singer / songwriter type, name unknown to me, as he serendaded the guests. I wanted to grab the guitar and treat the folks to my rendition of Death Letter, but alas, he wasn’t playing in Open G and I’d left my set of slides at home. Collings are made right here in Austin and the man behind Collings, Steve McCreary, was also one of the guests, giving life to the photo essay on his fine company.

Collings guitar, at birth, in Standard magazine, online & print edition

Collings guitar, at birth, in Standard magazine, online & print edition

Kelly Truesdale, Publisher, Standard Magazine, inside a screen shot of the online version of the SXSW edition

Kelly Truesdale, Publisher, Standard Magazine, inside a screen shot of the online version of the SXSW edition

This is what the Standard magazine interface looks like.

This is what the Standard magazine interface looks like.

Expect to see these people at the E-Book MeetUp hosted by my terrible self and Nettie Reynolds Tuesday, 12:30-1:30 at Proof Annex. There will be copies of this magazine available, and also, if you are interested, you can see my the very FIRST print edition of my latest novel, GRAVE DIGGER BLUES. I’ve ordered a very small print run of special editions that I’ll be signing at events around Austin in the near future.

Also, be aware that the digital versions of the Martin Fender mystery novels, set in Austin in the 1980s, are free to Amazon Prime members today and tomorrow only. That’s ROCK CRITIC MURDERS, TOUGH BABY and BOILED IN CONCRETE.

The next MURDER BALLAD MONDAY at The Buzz Mill, featuring my terrible self and special guest Bruce Salmon, an early show, 7:30-9 PM, will be April Fool’s Day. That’s April 1, 2013 for all you newbies.

pulp fiction, Grave Digger Blues, e-book, blurb, crime fiction, noir, austin author

The author checks a proof copy of his latest mistresspiece.

One final quick note:

Please check out this temporary page of photos by Bill Leissner. Be warned, however, that you might get tired of seeing my face, as all the photos in my collection are of bands I was in during the 1980s. That includes The Skunks reunion show 1985, plus Secret Six, Flex and Hang Em High. Those last 3 bands covered a total of about 4 years and 18 truck loads of Aqua Net hair spray.

The Skunks, Jesse Sublett, Jon Dee Graham

The Skunks Reunion 1985, Jon Dee Graham foreground, Jesse Sublett on bass

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Filed under BLUES, MURDER BALLADS & OTHER COOL RACKET, Books & other writing by Jesse Sublett, eBooks, Grave Digger Blues, ibooks, JESSE'S GIGS, MY FAMOUS BAND, THE SKUNKS, NOIR & TRUE CRIME, SXSW, SXSW interactive

“THEY’RE HERE!! RUN FOR YOUR LIVES!” SXSW 2013 BEGINS

SXSW 2013, interactive, live music capital of the world, E-book meet up

It’s here. Go with it, or leave town and do a VRBO with your house!

Please be aware of our E-Book MeetUp, Tuesday Mar. 12, 12:30-1:30 at the Proof Annex, featuring my terrible self, NETTIE REYNOLDS, our sponsors, Blurb, and many of our esteemed writing and publishing and publicizing friends, including Standard Magazine. Read the full description here, and my blog post here, in which I talk about my little journey publishing my surrealistic detective novel GRAVE DIGGER BLUES as an enhanced iPad, then to Kindle, Smashwords and finally, what a strange surprise….. a print edition, being released on April 1, or a few days sooner…

The book looks like THIS.

Grave Digger Blues, apocalyptic pulp fiction, detective fiction, hardboiled, noir, Jesse Sublett

and this:

murder ballads, Jesse Sublett, crime fiction, noir

and… and …

Grave Digger Blues, surrealism, surrealistic detective novel, Jesse Sublett

Grave Digger Blues, surrealism, surrealistic detective novel, Jesse Sublett

Grave Digger Blues, surrealism, surrealistic detective novel, Jesse Sublett

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Filed under Austin, BLUES, MURDER BALLADS & OTHER COOL RACKET, Books & other writing by Jesse Sublett, eBooks, Featured, Grave Digger Blues, ibooks, NOIR & TRUE CRIME, self publishing, SXSW, SXSW interactive

DARKNESS IN THE AFTERNOON

Jesse Sublett, noir, hardboiled, Grave Digger Blues, like James Ellroy, ipad, multitouch ebook

I dig things that are cool.

UPDATE on 2.4.13: The link to the Rag Radio podcast has been fixed:

Click <strong><a href=”http://theragblog.blogspot.com/2013/02/rag-radio-thorne-dreyer-austin-noir_7.html” title=”Jesse Sublett on Rag Radio”>here</a></strong> to hear it.

 

RAG RADIO GOES NOIR: At 2 PM Friday, Feb. 1, 2013, a strange vermillion-tinged dark shadow enveloped Austin just east of I-35, a roiling cloak of noir and blues which I unpacked out of my guitar case and a couple of olive green army field bags inherited from my father-in-law, each of which was packed with wire cutters, brass and glass tubes, strings, notes, pens, etc. — no, not the tools of an assassin or saboteur, but a blues singer and crime fiction writer. I was there at the odd corner strip center studio of KOOP-FM radio to meet Thorne Dreyer, long-time Austin radical dude, for an hour of interview, music and live reading (with music) of samples from my latest work. Thorne read three parts (including a bad cop and two girls) in the story STARS IN HER HAIR, and I played three songs, including Death Letter, Levee Camp Moan and Stones in the Coffin. A persistent ear infection has reduced my hearing by about 50 %, so, even with headphones cranked, my singing ain’t what it ought to be, but if you’d like to hear the whole interview, click this link.

 

SXSW 2013 UPDATE: Our E-Book MeetUp, hosted by NETTIE REYNOLDS and myself, will be Tuesday,  March 12, 1:30-2:30 at Proof Annex. The event is open to SXSW Interactive and Platinum badge holders only. If you’ll be attending SXSW make your plans to attend now. We’d love to see you, and stay tuned for more updates on our SXSW 2013 presence.

More blurbs about Grave Digger Blues:

You are onto something with this, Jesse, I do believe. Probably you are several years ahead of the curve, but that day is coming and what you’ve put together shows how it’s gonna work. I like the video intro (“Johnny Heartbreak Blues”), by the way, have watched it several times and like the laid back groove on it. Listened to the soundcloud music, too, and the spoken word stuff. I can sorta experience how you want it to happen as I flip through the pdf of the text while listening to the cuts (though I’ve never been very good at reading while listening to music/lyrics). Hope you get the opportunity to try a live show presentation at some point, see how that flies. Thanks for sending this along so I could taste what you are up to. A labor of love, I suppose, until the world catches up. Which it will. But you were there first, amigo. All best luck and wishes! — Christopher Cook, author of ROBBERS and SCREEN DOOR JESUS

 

Christopher Cook is a Texas author who lives in Prague most of the time, also a friend of mine. You should check out his blog.

We also rec’d our first negative review of the book, from Candy Beauchamp, on Amazon, here. This may sound strange but I was kinda looking forward to a review of this sort. And I appreciate her reviewing the book; she even said she really wanted to like it, but…. didn’t. From the beginning, I knew that many readers out there would not get the style, would not fall into the druggy surrealistic stew of narrative, where some events may or may not be hallucinations, where  a headless supermodel, a super celebrity, is spoken of like Paris Hilton or Bob Dylan, her rumored appearances dotting the story like sightings of Big Foot or Elvis. I intentionally wrote Grave Digger Blues to separate the men from the boys, the women from the sorority girls, etc. So if you don’t like it, that’s fine, because although I have a heart as big as Antarctica, my skin is made of Teflon. Feel free to make your own comments on Amazon, but please be kind to Candy. You may want her to review your book someday.

jesse sublett, headless supermodel, grave digger blues, noir fiction, lucy's fried chicken, SoCo, trendy SoCo South Congress Avenue, Paris Hilton

The Headless Supermodel has recently been spotted in Austin. Which makes sense, she’s always jetting around to the hip, happening places around the world.

 

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Filed under Austin, Books & other writing by Jesse Sublett, eBooks, Grave Digger Blues, HOW TO WRITE, NOIR & TRUE CRIME, politics, secession, SXSW, SXSW interactive, Texas secession

ME & MARGARET ATWOOD

jesse sublett, noir, hardboiled, Margaret Atwood

A collage I made with Mata Hari (left) meeting Margaret Atwood (right)

The digital era has given birth to a brave new world for publishing, but who cares about them, what we really care about here are the authors. Some of us are doing great, and a great many of us are, well, wondering what it might take to sell a few books, maybe even quit that detested day job. This thing, which is given many collective names, including E-books, E-publishing, Kindle, Nook, iBook, and so forth, seems to herald a world of new opportunities for some of us writers who have so far not hit The Big Pay Day.

Let’s not get too cynical just yet. Some e-authors out there have tasted success, but it’s still a tough business to get a break in. Even with the help of Twitter, where e-authors can Tweet “Buy my new Kindle novel on Amazon for free…” every five minutes. Or more. I rarely tweet anything like, for example, “Buy the fabulous Blues Deluxe Edition of GRAVE DIGGER BLUES for iPad on iTunes now, or you’re a hopeless nerd” or “Buy GRAVE DIGGER BLUES on Kindle, with its super-weird novella + more than 100 great, sexy photos & graphics right now or DIE,” more than two, maybe three times a day.

jesse sublett, noir, hardboiled, Margaret Atwood

Margaret Atwood, who has 367,000 Twitter followers, retweeted me, who has somewhat fewer follower.

Back on December 27, Lois alerted me to this story on NPR that might help me get a leg up on the e-book world market. She heard Margaret Atwood, the Canadian author of best-selling novels The Handmaid’s Tale, The Blind Assassin, and others, being interviewed about her new novel, Postitron, which is being serialized on byliner.com. By logging onto Byliner, which is free, readers can download new short stories and chapters of serial novels to their digital nightstand to read later, and can also read blogs from various big-name authors and other literary news. Margaret has embraced the new model with a bear-hug, it seems. She’s also got a project on Wattpad called Happy Zombie Sunrise Home, written collaboratively with Naomi Alderman.

And during this interview, Margaret said that she even retweets authors who send her the URL of their own novels. I found this hard to believe, but Lois assured me that that’s what Margaret said. I found the interview, listened again, and sure enough, that’s what she said. So I tweeted Margaret Atwood, who happens to have 367,000+ followers (and I have a somewhat smaller number) and she did it. She retweeted my tweet.

jesse sublett, noir, blues, crime fiction

Thank you, Margaret. She is pretty hip, after all. I mean, check out this graphic on her Twitter page.

Margaret Atwood as Madonna, or vice versa? Jesse Sublett

Margaret Atwood channels her inner Madonna, or is it the other way around?

Bearing that in mind, I thought I should up my game and try to return the favor, so I created the graphic collage that appears at the top of this post, showing the great World War I courtesan and suspected spy Mata Hari meeting Margaret Atwood, the best-selling Canadian author who retweeted my tweet about Grave Digger Blues, which, by the way, you can try a free sample and then perhaps buy (complete with 100+ photos & graphics, a blues soundtrack, select audio chapters + some video) for your iPad on the iTunes/iBookstore, or for Kindle and oodles of other devices on Amazon (novella + 100+ photos & graphics), or the $.99 Bare Bones version (text only, no photos or music) at Smashwords.

So I figured it would be the gentlemanly thing to go ahead and show my appreciation by creating this modest and admittedly rather crude (I don’t have Photoshop, just Apple Preview) collage of two real interesting women. I tweeted the image to Margaret a couple of weeks ago, so I should be hearing from her soon, hopefully around the same time I get the new sales reports showing just how much her retweet did for sales of GRAVE DIGGER BLUES…. the hippest hardboiled apocalyptic detective and jazz novella that’s ever challenged you to… dig it.

Have I mentioned that we’ll be plugging this baby with an E-Book Meet Up at SXSW 2013?

enhanced ibook, ipad, novel for iPad, Jesse Sublett, noir, pulp fiction, Kindle, crime fiction for Kindle

GRAVE DIGGER BLUES may in fact be too weird for you. Maybe you’d rather listen to Celine Dion and wear elephant plaid to your high school reunion.

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GRAVE DIGGER: INDIE AUTHOR NEWS SCOOP

GRAVE DIGGER BLUES  is in the Twittersphere, the Bloggerama, Indieland and everywhere, man. Don’t let Pearl Harbor Day sink your mood. Mix yourself a redhead, put your rowboats up on the La-Z-Boy and dig into this crazy new crime-and-mayhem adventure. I’ll let Indie Author News explain the rest:

Friday, December 07, 2012
New Indie Book Release: Grave Digger Blues (Jesse Sublett)

New Indie Book Release:
Grave Digger Blues – Jesse Sublett -
Crime Fiction – set in the near future (November 19, 2012 – 52,000 words plus Bonus Material – more than 100 photos, drawings, and collages)

Grave Digger Blues is a dark fever dream that’s part noir, part stand-up. Sublett’s writing is as apt to scare the hell out of you as it is to make you die laughing.” – Reed Farrel Coleman, three-time Shamus Award-winning author of Gun Church

About the Book

Click to Read an Excerpt on Kindle.

pulp fiction "james ellroy" "michael connelly" "denis johnson" "jesse sublett" "robert b. parker" "surrealism" "crime fiction" "detective fiction" "grave digger blues" ebook + ibook + "enhanced ibook" "jessesublett.com" austin "austin music scene"

The FIRST surrealist/blues/pulpfiction iPad novella, out now, on iTunes and Amazon. The Kindle version has over 100 cool photos and graphics; the Blues Deluxe Edition for iPad has music AND photos.

Click to download a sample on iTunes.

Grave Digger Blues is a blast of surreal, post-apocalyptic noir, set during the last weeks of the world. Dual protagonists drive the narrative–The Blues Cat, an itinerant, doomed jazz musician, and Hank Zzybnx, a private detective and damaged war veteran.

It’s a dangerous and strange world, shot through with bizarre beauty and dreamlike weirdness. Grizzly bears and alligators have invaded the cities, walking catfish prowl the exurbs, and the best bar in town was formerly the city Morgue.

A right wing rebellion has wrecked the infrastructure of US, and the planet is wracked by daily earthquakes, bizarre weather and mutated species. Old politicians litter the bars and circuses. Dick Cheney is a drag queen… Newt Gingrich is a security guard at WalMart.

During these hard times, the only profitable work left for a private eye is murder for hire. Hank is exclusive about his clients and only accepts contracts on people who are truly despicable menaces to society. Fortunately, as he puts it, “There’s always some scummy sonofabitch out there who needs killing and somebody willing to pay for it.”

Despite being a hired killer, in this bleak nightmare world, Hank is a sympathetic character, even a poetic figure. He’s haunted by the benevolent ghost of Marilyn Monroe, fragmented memories of the war in Murderstan, and a grifter mother who hated him before he was born.

The Blues Cat is a lady’s man, but constantly being attacked or hounded by disgruntled husbands and neurotic groupies. His body is a road map of scars from the innumerable attempts on his life. He’s followed across the country, from one dive to the next, by a 300 pound thug called The Muffin Man.

Grave Digger Blues is a nasty, raunchy, rude-boy romp that I totally loved. In its sinister way it is very, very funny. The exquisitely rendered visuals and other enhancements are great. You’ll love it, especially if you hate the Beatles.” – W.K. Stratton (Chasing the Rodeo, Boxing Shadows, Floyd Patterson: The Fighting Live of Boxing’s Invisible Champ)

About the Author:

Jesse Sublett is an author, musician, artist and all-around Austin character. He’s been an influential figure in the Austin music scene since 1978, when he founded the seminal rock n’ roll band, the Skunks, a band that is credited with helping put Austin on the rock n’ roll map. In the years since, Jesse has shared the stage with and / or recorded with luminaries like Patti Smith, ex-Rolling Stones, Go-Go’s, Elvis Costello, members of Blondie and the Clash, Jon Dee Graham and countless others.

Jesse’s first series of crime novels were set in the Austin music scene, published by Viking Penguin: Rock Critic Murders (1989), Tough Baby (1990) and Boiled in Concrete (1991). With a blues musician protagonist Martin Fender, these novels were lauded for their authentic and lyrical descriptions of the world of the working musician, critically acclaimed by critics and many well-respected authors, like Robert B. Parker, James Ellroy and Michael Connelly.

Jesse’s nonfiction books include his music and true crime memoir, Never the Same Again. The book chronicles his experiences as a musician, a harrowing battle with Stage 4 throat cancer, and the investigation of the murder of his girlfriend in 1976 by a serial killer. Never the Same Again is a rocking read–alternatingly terrifying, dark, uplifting and funny.

James Ellroy ( Confidential, American Tabloid, The Cold Six Thousand ) said: “Never the Same Again is a harrowing, wrenching, spellbinding work of great candor and soul.”

Michael Connelly (The Black Echo, Lincoln Lawyer, The Black Box) said: “Never the Same Again is an important work. Sublett takes us on a ride through life that is crazy, funny, and sometimes deeply tragic, but ultimately, an inspiring and always highly readable survivor’s tale.”

Connect with Jesse Sublett via Twitter @jesse_sublett

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iPunk gets ePress in SA

Hot damn I got a little media attention for my iPad version of Rock Critic Murders in San Antonio, thanks to my friend, author Joe O’Connell. The link is here and the text below. And just in time!! Tough Baby should be out on Kindle and in the iBookstore within a week or two. I’m just finishing the proofing and artwork. So stayed tuned or should I say iTuned.

ALSO, don’t forget two things: You can get the Kindle version on Amazon here, along with my memoir, Never the Same Again; and you can get the iPad version on iTunes, with MUSIC, VIDEO and LOTS OF COOL PICTURES and EXTRAS.

One more thing, HOWLIN WOLF TRIBUTE SHOW June 9. Be there!

Poster by Ricardo Acevedo.


Jesse gets a phone call from his cat, Moe. Photo by Joe O'Connell.

The fictional band Cloud 19 made its first appearance in Jesse Sublett’s trio of rock’n'roll mystery novels released by Viking in the late ’80s and early ’90s. He eventually wrote the song titles mentioned, recorded them and gave out cassette tapes to fans, including best-selling crime author Michael Connelly.
Sublett has gone high-tech since then, but he’s still mixing music and fiction.
The frontman of legendary Austin punk band the Skunks — San Antonio’s Sons of Hercules covers their song “Gimme Some” — has re-released “Rock Critic Murders,” the first of his mysteries featuring bass player Martin Fender, using iBook Author 2, a program that allowed him to create an interactive love letter to the time period.
“For me, music and writing have always gone hand in hand,” he said. “They feed on each other.”
Authors re-releasing their out-of-print works in eBook format, particularly for Kindle, has become commonplace — a good example is Texas author Michael Zagst, who recently reintroduced his three critically acclaimed literary novels electronically.
But Sublett has created a multimedia extravaganza.
Those Cloud 19 songs are there, as well as vintage and more current clips of the Skunks, photos and interviews with real-life people such as music critic/author Joe Nick Patoski, the inspiration for Sublett’s characters.
In contrast to Sublett’s punk-rock background, “Rock Critic Murders” is set in Austin’s 1984 blues scene.
The iBook includes videos recorded on Sublett’s iPhone and iPad that highlight what remains of that era, when an oil bust slowed Austin’s growth, yet the music scene stayed vibrant with acts such as Stevie Ray Vaughan playing at the Continental Club and other venues.
Sublett, a Johnson City native who was valedictorian of his high-school class there, had left Austin for Los Angeles by the late ’80s. He had given up on the rock-star dream and replaced it with a burning desire to be the next Raymond Chandler.
He started writing and managed, without an agent, to attract the interest of a Viking editor who had heard of the Skunks. She liked his manuscript and signed Sublett to a three-book deal.
In the old days, it took two years from manuscript acceptance to Sublett’s mystery novels’ appearance in the marketplace, which seemed wrong to a guy coming out of the do-it-yourself world of indie rock.
Plus, the folks from New York publishing are known for inserting saguaro cactuses on the covers of Texas-set novels, with the assumption the plants grow here (they don’t), notes Sublett.
When iBook Author 2 was released in January, Sublett, who long ago returned to Austin, was frustrated that it took him a few days — with the help of an Apple tech who was still learning the software — to get his new creation on iTunes.
“Why wait?” he said. “If you can do it yourself, you don’t lose your groove.”
In the publishing world, the big recent news is that Amazon.com now sells more electronic books than print copies. Is this new format yet another sign of the death of traditional publishing?
“I don’t want to totally give up on it, but it looks pretty grim,” said Sublett, whose memoir of rock ‘n’ roll and his personal challenges with cancer and the murder of his girlfriend, “Never the Same Again,” came out through the more traditional route in 2004. “There is a sense that there’s a gold rush out there.”
In addition to iBooking his other two Martin Fender mysteries, “Tough Baby” and “Boiled Concrete,” Sublett’s next project is “The Blues Cat,” which he described as a musical play with songs interspersed in the story.
“There’s not an obvious outlet for it,” he said.
Perhaps there is now.
Joe O’Connell is an Austin writer. Reach him at therealjoeo@gmail.com.

Read more: http://www.mysanantonio.com/entertainment/books/article/Punker-turned-iBook-author-3549759.php#ixzz1ugHc5Qdj

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Filed under Books & other writing by Jesse Sublett, JESSE'S GIGS, NOIR & TRUE CRIME

ePub iPad eCrimes iPulp uDig?

Update: Saturday morning, 9:15-10:15: Been on the phone with Apple, trying to find out if the error messages I got last night while delivering the iBook are going to hang me up or not. Finally got with a senior adviser who said no error messages are appearing there, so it ought to be in the iTunes Store / iBookstore today or tomorrow. Also, there’s a little late-breaking message from Montpellier, France, by Ed Ward, which I have just added below.

Ginger Snapp as Lorraine, the femme fatale of Rock Critic Murders


OK, so I’m doing this thing, this ePulp DIY thing, like Black Mask magazine but for handheld devices and your MacBooks and Kindles and Nooks. Does anyone go down to B&N to get nookie? Just wondering.

So I’ve done a couple of ePubs which are on Amazon now… and working feverishly on a couple of cool, ultra cool things using Apple’s iBooks Author app. I’m not going into detail right now, but dig this: ROCK CRITIC MURDERS, THE 25th ANNIVERSARY EDITION FOR IPAD (RCM 25), should be out very soon, on iTunes, in the Apple iBookstore, etc. Finishing touches this weekend. Then another project I’m very excited about and will blab and blog about later. I wanted to post a couple of screen shots and clips, then get back to work. Looks like I may also write about this for a SXSW issue of the Austin Chronicle, too.


This thing will have lots of graphic images, including photos, many photos of The Skunks (because that’s where a lot of the experience that informed the semi fictional world of Martin Fender came from), plus video clip commentaries from many Austin characters, like Joe Nick Patoski, Ed Ward, Jon Dee Graham, Billy Blackmon, Louis Black, Robert Draper, David Fox, and others. Many of these same people were either caricaturized (rather crudely, I admit) in this novel, and I’m glad they’re good sports about it. As Louis Black says, “The only rock critics who were actually upset with the book, Jesse, were the ones who didn’t get killed in it.” Also I make a dozen or so stops around Austin, talking about my favorite places. Skunks video clips, Cloud 19 songs, etc. Lotsa cool stuff, if you dig that kind of thing.

Anyway, I’m adding some video clips from the RCM 25 project later, but here are some of my favorite screen shots.

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Filed under BLUES, MURDER BALLADS & OTHER COOL RACKET, Books & other writing by Jesse Sublett, NOIR & TRUE CRIME

“Moral Hazard” the eBook is here

Murder, armed robbery, political corruption, spontaneous human combustion, what else could you want?

You can now download my crime fiction story “Moral Hazard” for your Amazon Kindle or other device, from Amazon.com. Here’s the link; it’s only $2.99. Even if you don’t want to buy the story, you can poke around on the official Amazon Jesse Sublett profile and leave comments if you like.
This story originally appeared in Lone Star Noir, published by Akashic for their noir series in 2010. That same year it appeared in a slightly longer form in French in a great anthology published by 13e Note Editions of France.
This story was inspired by a number of true events that transpired around 2006, when I made the initial short draft of the story. I had recently read a book about the disgraced US Congressman from Texas, Tom Delay, and his corrupt schemes for enriching his friends and political allies, using various sham operations, and also cloaking some of his actions in charity efforts for children. At the same time, money was being funneled through friends in the Marianas, a US protectorate, where poor natives workers produce cheap goods for the US market but the usual US fair and labor practices are not in effect. The workers are abused horribly and the situation is a scandal; yet this hypocrite, Tom Delay, praises the country and the rackets there as the finest example of free market capitalism in existence. Delay wasn’t the only inspiration for the story, however. First of all, I wanted a professional criminal as the protagonist. I’ve always loved the Richard Stark novels (a pen name of the late, great Donald Westlake), in which the plots and dialogue are as streamlined and fast moving as the protagonist, Parker, an amoral professional thief. The protagonist of “Moral Hazard” is identified as “Slim,” although I originally wanted him to be nameless, to help maintain the shadowy, vague atmosphere of the story. However, to reduce confusion, I ended up giving him that nickname. Another bad example for the story was that of a Houston oil tycoon whose name slips my mind at the moment. This guy was raking in billions for decades, legitimately, but that apparently wasn’t enough for him. He became a key player in a conspiracy to funnel funds from the Oil-for-Food program with Iraq that was in operation after the first Gulf War. And this fat cat crook was a Democrat. So not all rich, corrupt people are Republicans. It just seems that way these days.
The other thing I really wanted to incorporate in the story was a case of potential spontaneous human combustion (SHC). I’ve been fascinated by that topic for almost 20 years. I saw a BBC documentary on SHC back when we were living in Los Angeles, and it was written and directed brilliantly. The program examined about four or five cases of people who were burned to death under circumstances that pointed strongly toward SHC as the cause. Each case was presented detective story fashion; that is, SHC certainly appeared to be the only plausible conclusion. And yet, one by one, each case was debunked, and the role played by the peculiar dynamics of fire in each case were responsible for the strange phenomenon found at the scenes. For example, one corpse was found in a living room, the body consumed by fire except for the feet. The victim had been seated in a lounge chair. Nothing else in the room was burned, and only part of the chair was burned. However, on the far side of the room, some items on a shelf were partially melted. The door knob was hot to the touch when the witnesses arrived after the fire. A strange pink waxy substance coated the walls of the room.
Basically, what happened was this: The man fell asleep while smoking and caught fire. The room was closed up, so the fire consumed most of the body and then died out before the feet burned up because the oxygen supply in the room had been depleted. Heat from the flames traveled upward to the ceiling, then came down again, melting objects on the other side of the room–a common effect in fires in buildings. The pink waxy substance? Body fat.

Anyway… The diagnosis in this story is up in the air. It’s up to the reader to decide. Finally, the ending borrows some ideas from the James M. Cain novel Double Indemnity, and the “moral hazard” theme is something that fascinated me the first time I heard of it. The concept came up a lot during the subprime mortgage meltdown of 2007–2008; and again, the kind of predatory capitalism demonstrated during that fiasco outrages me, and helped inspire the story.

Johnny Byrd of Cinco Puntos Press saw my Overton Gang essay in the Texas Observer (“Adaptation” – click here) in 2008 and loved it. When Johnny and his dad, Bobby Byrd, landed the job of editing the Texas entry in Akashic’s noir series, he made Bobby read my story, saying, “We gotta get a story from Jesse Sublett.” Bobby took his time getting around to reading my Overton story, but when he finally did, he grabbed Johnny and said, “Son, we gotta get a story from this Jesse Sublett guy!” And they did. Bobby did a great job making suggestions that made the story stronger. And his own contribution to the collection, “The Dead Man’s Wife” is one of my favorites. For the book signing parties, I took my guitar and sang a couple of murder ballads to liven things up. We had a great time and sold some books, too.

Anyway, I’m working on uploading some more ebooks soon. I’m scanning and doing the OCR conversion of my first novel, Rock Critic Murders, to be one of my next ebooks. The OCR is a real chore and it’s taking a while. Unfortunately, I wrote that novel in 1985. The word processor I was using then went out with the wooden plow, I think.

I will probably also convert some of my “Clapton” short stories soon. I wrote those when we lived in LA in the 1980s. They’re a little rough and tumble, but fun.

Cheers,
Jesse

The art here depicts a scene from my story "I Got a Gun and Its Name is I.O.U." The Clapton stories, which may appear as ebooks soon, were written during this same time period, for similar digest pulp zones.

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Filed under Books & other writing by Jesse Sublett, NOIR & TRUE CRIME